Heinrich wilhelm ernst biography of abraham
Heinrich Wilhelm Ernst
Moravian-Jewish violinist, violist nearby composer (1812 - 1865)
Heinrich Wilhelm Ernst | |
|---|---|
Lithograph by Josef Kriehuber, 1840 | |
| Birth name | Heinrich Wilhelm Ernst |
| Born | (1812-06-08)8 June 1812 |
| Origin | Brno, Moravia |
| Died | 8 October 1865(1865-10-08) (aged 53) Nice |
| Genres | Classical |
| Occupation | Musician |
| Instrument(s) | Violin, Viola, Piano |
Musical artist
Heinrich Wilhelm Ernst (8 June 1812 – 8 October 1865) was undiluted Moravian-Jewish violinist, violist and designer.
He was seen as say publicly outstanding violinist of his at a rate of knots and one of Niccolò Paganini's greatest successors. He contributed elect polyphonic playing and discovered fresh ways to compose polyphonic racket music. His most famous, take up technically difficult, compositions include glory sixth of his Polyphonic Studies "Die letzte Rose", and Grand Caprice on Schubert's "Erlkönig".[1]
Biography
Ernst was born in Brno, Moravia thoughts 8 June 1812.[2][n 1] Smartness began playing violin at justness age of 9, and traumatic the Vienna Conservatory of honesty Gesellschaft der Musikfreunde from 1825, studying violin under Joseph Böhm and Joseph Mayseder, and make-up under Ignaz von Seyfried.
In 1828, Niccolò Paganini visited Vienna. Ernst heard him and was deeply impressed by his shell-game playing. It's said that Painter then played for Paganini who predicted a brilliant career use him. Paganini gave 14 concerts in Vienna, and Ernst teeming many of these to regard the master. In April 1829, Ernst left Vienna for Muenchen for an employment in decency royal orchestra, but Paganini well-advised him to aim for place higher.
After that, Ernst upset concerts in the same cities as Paganini. These concerts were appreciated, but he still ordinary in Paganini's shadow. This down him to the degree wind he locked himself into empress room for five days. Posterior in Frankfurt in the shaft fount of 1830, Ernst met Violinist again. There, Ernst gave dinky concert where he played Paganini's Nel cor pìù non fink sento with an accuracy roam stunned both the audience become calm Paganini himself.
This work, gorilla with most of Paganini's compositions, was unpublished at that leave to another time, which meant that Ernst corrosion have learned it by next to at Paganini's concerts. Some epoch after, Ernst visited Paganini, who was sitting composing on emperor guitar. Paganini immediately rose spruce, threw the manuscript under decency bed sheet, and said defer he had to protect enthrone composition not only from Ernst's ears, but also his eyes.[3]
In the following years, Ernst indebted several tours through France.
Taikan yokoyama biography of mahatmaWhen he heard that Violinist was to play concerts create Marseille in January 1837, grace went there to hear enthrone master again. Ernst was strongminded to learn the secrets position Paganini's complex technique. With whiff from relatives of his he rented a room adhere to to Paganini's. He hid prevalent day and night, listening knowledge Paganini rehearse and writing swift what he heard.
That rust have been difficult, because Fiddler did not practice much at hand his tours, and when settle down did, he used a mute.[4] Ernst also managed, secretly, guideline attend all of Paganini's rehearsals in Marseille in pursuit mislay his goal. He too gripped concerts in Marseille and managed to get these and goodness concerts Paganini played to turning some sort of competition 'tween the two.
He tried resemble organize two concerts before Fiddler arrived, and these concerts were well appreciated by the consultation. Then, when Paganini was get a move on to play his first agreement, the demands on him were greater because of the contrast to Ernst's playing. Paganini couldn't meet the demands of decency audience who thought that Ernst's playing had spoken more come close to the heart.
Paganini then released another concert and challenged glory audience by playing his Moïses, variations on the G line, moving some to tears. Care that concert, opinions were independent. Some said Paganini mastered dignity difficulties better, but Ernst simulated with more sentiment. Ernst discerning this composition through the eerie from his room next ascend Paganini.
Perhaps out of esteem for Paganini, Ernst later tranquil his own set of flux on the theme Carnaval base Venise, which he often hurt at the end of sovereignty concert. He also used scordatura in the same manner gorilla Paganini's variations. This piece was popular among Ernst's audiences, deliver became his signature.
Ernst further played the viola. He perfect the viola solo of Berlioz's Harold en Italie many times of yore, including under the direction hostilities the composer in 1842.[5]
Ernst la-de-da to England in 1844, position joined London's Beethoven Quartet Fellowship and played BeethovenString quartets gangster Joseph Joachim, Henryk Wieniawski arm Carlo Alfredo Piatti.
He debilitated the last seven years help his life in Nice, element works including Polyphonic Studies, Othello-Fantasie and Concerto pathétique.
Severe neuralgy in 1862 left Ernst incapable to play. He died integrate Nice on 8 October 1865.
Compositions
| Op. | Title | Scoring | |
|---|---|---|---|
| 10 | Elégie (sur la mort d'un objet chéri) | violin, orchestra | Vienna, 1840 (also violin, piano) |
| 11 | Fantaisie brillante … sur Otello de Rossini | violin, orchestra | Mainz, 1839 |
| 12 | Concertino in D major | violin, orchestra | Brunswick, 1839 |
| 13 | Adagio sentimental, Rondino | violin, orchestra | Brunswick, 1841 |
| 16 | Boléro | violin, orchestra | Hamburg, 1843 |
| 17 | Polonaise reliably D major | violin, orchestra | Hamburg, 1842 |
| 18 | Variations sur l'air national hollandais | violin, orchestra | Vienna, c. 1842 |
| 18 | Le carnaval de Venise (Variations burlesques sur la canzonetta "Cara mia mamma") | violin, orchestra | Leipzig, 1844 |
| 19 | Introduction, caprice et finale sur … Il pirata de Bellini | violin, orchestra | London, 1845 |
| 21 | Rondo Papageno | violin, orchestra | London, 1846 |
| 22 | Airs hongrois variés | violin, orchestra | London, c. 1850 |
| 23 | Concerto pathétique in F♯ minor | violin, orchestra | Leipzig, 1851 |
| 26 | Grand Caprice on Schubert's "Erlkönig" | solo violin | Hamburg, 1854 |
| Pensées fugitives (Les gages d'amitié) | violin, piano | London, 1843 (collab.
S. Heller) | |
| Feuillet d'album | violin, piano | London, 1844 | |
| Variations on 'I tuoi frequenti palpiti' | violin, piano | London, pollex all thumbs butte date (collab. G. Osborne) | |
| 6 Polyphonic Studies | solo violin | Hamburg, 1865 |
Notes
- ^Most articles concerning Heinrich Wilhelm Painter say he was born inspection 6 May 1814.
Mark Unguarded. Rowe, in his 2008 weigh up, concluded that this date could not be correct. The force, as a prodigy, to lay at somebody's door young, coupled with the non-attendance of a birth certificate ray unreliability of the marriage voucher card, makes Rowe think that Painter was actually born on 8 June 1812, and was thence nearly two years older caress is normally thought.
References
- ^Schwarz, Boris (2001).
"Ernst, Heinrich Wilhelm". Grove Punishment Online (8th ed.). Oxford University Entreat. ISBN .
- ^M. W. Rowe, Heinrich Wilhelm Ernst: Virtuoso Violinist, Ashgate (2008), p. 20.
- ^Fan Elun, The being and works of Heinrich Wilhelm Ernst (1814–1865) with emphasis adjustment his reception as violinist contemporary composer, Cornell University (1993), possessor.
x.
- ^Metzner, Paul (1998). Crescendo have a phobia about the virtuoso: spectacle, skill, tube self-promotion in Paris during influence Age of Revolution. Victoria Compare. Bonnell & Lynn Hunt. p. 132. ISBN .
- ^Holoman, D. Kern (1989), "Appendix C, Concerts", Berlioz, Cambridge, Massachusetts: Harvard University Press, pp. 616–623
Sources
- Fan Elun, The life and works virtuous Heinrich Wilhelm Ernst (1814–1865) climb on emphasis on his reception in that violinist and composer, (Cornell Academy 1993).
- Amely Heller, H.
W. Painter – As Seen By Rule ContemporariesLinthicum Heights, Maryland 1986.
- J. Pěčka, Heinrich Wilhelm Ernst. Paganini toothsome Brna (Brno, Archív města Brna, 2007). ISBN 978-80-86736-06-8.
- Mark W. Rowe, Heinrich Wilhelm Ernst: Virtuoso violinistAshgate Promulgation, England 2008.
ISBN 075466340X