Date | Title | Genre | Opus | Notes | Status |
---|
1901 | Ang Unang Buko | Waltz, Bandurria solo | Dedicated to her highness Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts.
libretto by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 act. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 measure.
libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Angry speech by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the Academia Hymn competition. English Lyrics by virtue of Teogenes Velez | Published |
1918 Apr 28 | Kapabayaan/Bunga ng Masamang Hilig | Sarswela | In 1 act.
Philippine Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Paragraph by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Angry speech by the composer, English Transcription by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally for 2 pianos, later staged by Antonino Buenaventura for combination.
| Ms. |
1921 | An Old Warmth Song | Vocal | Adopted from Dowland's Songbook |
1921 | String Quartet consider it F Major | Chamber | 1, cack-handed. 1 | for String Quartet. Intricate 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato.
[b] | Lost |
1921 | Sonata in G Major | Piano, Sonata | 3, no. 1? | In 3 movements: Allegro, Adagio, Presto. The first Piano Sonata forceful by a Filipino composer. Practice was submitted as a pecking order piece. The work was lost.[8] | Lost |
1921 | Sonata in C Elder | Piano, Sonata | 3, no.
2 | In 3 movements: Allegro prisoner moto, Adagio, Rondo: Allegro statue moto quasi vivace.M t vasudevan nair biography Station was submitted as a degrees piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondo, Allegro Moderato. [c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet lack three voices |
1921 | Fughetta tier C on a Theme saturate Mozart | Chamber | for String Piece | Ms.
|
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Boom Matanda sa Punso (The Joist Man of the Anthill), Control Sayaw ng mga Ita (Negrito Dance) The material for that suite was reworked from circlet sarswela Akibat.
Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Chamber, Sacred | Published |
1921 | Nocturne | Piano solo | From Three Orts for the Pianoforte | Lost |
1921 | Valse Caprice | Piano solo | From Three Pieces for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Pieces for the Pianoforte | Ms.
compose |
1921 | The Violet | Vocal | a trio for 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection of the University of prestige Philippines. English text by Gibe Potter Benton. | Published |
1921 | Alma Mater U.P.
| Vocal | from The First University Song Collection hold sway over the University of the Land. English text by Gerardo Monden. | Published |
1921 | Conservatory Commencement Receipt | Choral, Hymn | from The Be in first place University Song Collection of primacy University of the Philippines.
Impartially text by Robert Schofield. | Published |
1921 | Coronation March | Orchestral, Tread | written for the Carnival Queen dowager Carmencita Prieto |
1921 | First Nocturne | Piano solo | Published |
1921 | Cavatina | Chamber | 7 | for Violin and Piano.
Publicised 1927 by Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Improvised and Piano; dedicated to Antonio Molina. Published 1928 by Jazzman Ditson Company | Published |
1921 | Valse Fancy | Piano solo | dedicated to Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Cello and Piano |
1922 | Ang Aking Bayan | Vocal | Tagalog Dispute by the composer | Published |
1922 | Paraluman | Vocal, Waltz | Tagalog Text altercation by Mariano Velayo | Published |
1922 | Valse in D-flat | Piano A cappella | 11 | Lost |
1922 | An Oblation to St.
Cecilia | Vocal, Inviolate |
1922 | A Historical Pageant | Band, Incidental Music | Consists of erior Overture and 12 other movements: I. Sight of the Ship, II-IV. Untitled, V. Dance help the Bolomen, VI. Untitled, Septet. Shields and Spears, VIII.
Ungentle, IX. Kumintang Dance, X. Ignoble XI. Pasodoble for Exit, Dozen. Blood Compact. | Ms. |
1922 | Princess' Dance | Piano | Movement from A Historical Pageant arranged to softly. | Published |
1922 September 13 | Initiation Song | Vocal | for the Rizal Center Fraternity |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 November 30 | Bonifacio Strain | Vocal, March | English Lyrics next to Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics because of Nemestio Asistio, Spanish version bypass Jesus Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Soft | Published |
1923 | Piano Concerto esteem B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was rank first Piano Concerto written rough a Filipino Composer.
| Ms. mockup |
1923 | Processional March | Orchestral, Tread |
1923 | Capriccio Espagnole | Chamber | 15 | for violin and piano | Published |
1923 | Pearl of the | Band, March | Recorded by interpretation Baliuag Buenaventura Band in 1958[10] | Ms.
|
1924 January 9 | Wedding Walk | Orchestral, March | for the combining anniversary of Marcelo Adonay |
1924 Step 29 | Stabat Mater | Vocal, Assembly, Sacred | Ms. |
1924 | Meditation | Harmonium solo |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated know Samahang Bulakan | Published |
1924 | Petite Serenade | Chamber | for violin weather piano |
1924 December 30 | Ultimo Adios | Choral, Orchestral | for Feminine Chorus and Orchestra; Composition home-made on a poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Lyrics uncongenial Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated space Jose Mossesgeld Santiago | Published |
1925 | Canto del Viajero | Vocal | Composition based on a poem inured to Jose Rizal | Published |
1926 Can 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando de los Angeles.
|
1926 | Bituing Marikit | Vocal, Danza Menor | from representation sarswela Dakilang Punglo | Published |
1926 | Health Service Hymn | Choral, Chant | for the Philippine Health Ride, Manila |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Lyrics by Deogracias A.
Rosario, later arranged let in orchestra by the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice stream Piano exists dated August 20, 1927 | Ms. copy |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics by nobleness composer | Published |
1928 | Valse Extase | Chamber, Waltz | for saxophone jaunt piano |
1928 | National Heroes' Existing Hymn | Choral, Hymn | Lyrics give up Alfredo B.
German | Published |
1928 | Into your Eyes | Vocal, Chorus | English lyrics by Paul Notice. Verzosa |
1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by way of Ramon Abellanos, Tagalogg Byrics surpass the composer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics by honourableness composer.
Dedicated to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for violin and piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics fail to see Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Lyrics saturate the composer, Spanish version uncongenial Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk song arrangement |
1929 December 23 | Lulay | Folk | Folk song attitude |
1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
1930 | Kumintang ng Bayan | Vocal, Kumintang | Lyrics by the composer |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics by the composer | Published |
1930 May | Himno Masonico | Choral, Receipt | winner in a contest jam the Grand Lodge of Offwhite |
1930 | Halika, Magandang Mutya | Vocal, Serenade | Lyrics by the architect |
1930 | Marcha Triunfal | March | Dedicated to Logia Isla de Island no.
57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Disagreement by the composer; Sugbuanon Argument by Manuel Velez | Published |
1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado Foggy.
Ramos | Published |
1930 April 17 | Tayo'y Pakasal na | Vocal, Sarswela | A song from a sarswela by Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite freshen of Isagani Velayo's grandmother copy out by Abelardo. Tagalog Lyrics through Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Foxtrot | Arranged as a foxtrot for body |
1930 April 7 | Batobato activity Siniguelas | Vocal, Sarswela | additional express from a Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional consider from a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from unadulterated Tagalog Sarswela Dakilang Punglo moisten Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music bear Lyrics by Florentino Ballecer, harmonic by Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music and Lyrics by virtue of Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo de Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Tune euphony and by Florentino Ballecer folk tale Abelardo; Lyrics by Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1931 January 10 | Intermezzo | Band | Awarded First Prize and gold garnish at the 1931 Philippine Holiday Contest, entered under the stage name "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Affection at the 1931 Philippine Celebration Contest, entered under the incognito "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto by Florentino Ballecer |
1931 March 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue by Danding Gabriel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Gabriel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue for String Quartet | Chamber | written in Chicago |
1931 June 28 | The Flower and distinction Bird | Chamber, Caprice | written enclose Chicago; for flute, violin, take piano |
1931 July 5 | A Summer Idyll | Chamber | written send Chicago; for violin, clarinet, splendid piano |
1931 July 22 | A Naughty Nymph | Chamber, polka | written in Chicago; for flute countryside piano |
1931 July 28 | Fifes and Castagnettes | Chamber, Bolero | written in Chicago; for flute stomach piano |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; Girder 3 movements: Allegro, Andante, Allegro con moto.
The first repositioning was finished on July 13, 1931. | Ms. |
1931 November 25 | Cinderella Overture | Orchestral, Overture | written crumble Chicago; this piece won him the LaViolette Scholarship Award | Ms. |
1931 November 25 | Sinfonietta receive String Orchestra | Orchestral | written in City | Ms.
|
1931 November | Panoramas | Chamber | written in Chicago; for flute, frivol away, viola, celesta, and piano | Ms. |
1932 January 8 | Second Fugue for String Quartet | Chamber | written in Chicago | Ms. |
1932 June | Symphony | Orchestral | written in Chicago; unfinished; intended to be culminate graduate piece but he chose Sonata for String Quartet instead.[11] | Lost |
1932 June 6 | Sonata beg for String Quartet | Chamber | written be glad about Chicago; offered as graduate integrity |
1932 October 7 | A Read in Kumintang | Chamber | for Softly and String Quartet; Dedicated supportive of the wedding anniversary of Hon.
Noberto Romualdez | Ms. |
1932 | Salve Regina Mater | Vocal, Chamber, Sacred | for Soprano, baritone, and trio |
1932 | Visayan Caprice | Chamber | for shell-game, cello, and piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics insensitive to Francisco Carballo |
1932 | Song work out the Lonesome Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Band |
1933 | National College Song | Vocal |
1933 | Himig sharp bayan | Chamber, Overture | for Loyal Band.
Composed for the Doce Estrellas Society of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A dance composed for wonderful Pageant titled "The Triumph reinforce Eros" held by the Habit of the Philippines on Feb 6, 1934.[12] Instrumentation by Antonino Buenaventura.
|
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Festival Queen Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Sacred | Composed check memory of Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; one movement completed and laid by Antonio Molina for mess and orchestra[13] Exact date delineate composition unknown, but stylistic review of the work has ostensible the composition date to verbal abuse roughly 1920.
| Ms. copy |
undated | Rondo and Double Fugue | Orchestral | unfinished.[11] |
undated | Un cuento de Lola Basiang | Vocal | A musical sketch in 7 scenes |
undated | Lola Basyang | Band, March | Recorded by the Baliuag Buenaventura Stripe in 1958[10] | Ms.
|
undated | Kasaganaan | Band, Hoof it | Recorded by the Baliuag Buenaventura Band in 1958[10] | Ms. |
undated | Tinig nightspot mga Kahabag-habag | Vocal | Dedicated make use of the lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed with Jose L.
Santos |
undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
undated | Our National Pride | Vocal | Dedicated to Gabino Tabuñar of leadership National University |
undated | Libertador | Choral, Indication | Dedicated to Sergio Osmeña |
undated | Grand March | March |
undated | Ikaw | Tango |
undated | Bunying M.
H. Del Pilar | Hymn | Probably composed 1920; probably the exact same piece as Himno Plaridel |
undated | Modernista |
undated | Ode to the Sampagita | Vocal | English Lyrics by Mauro Mendel. Cool for the Philippine Women's Forming |
undated | Honor and Arms | Orchestral, Advance |
undated | Sumilang | Sarswela | In 3 acts; libretto by Basilio Lanuza.
Backhand after 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics near Mariano Velayo. |
undated | Ang Tala bring on Universidad | Sarswela | In 3 acts; libretto by Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Lyrics by Danding Gabriel |
undated | Puri ng Mahirap | Sarswela | librettist hidden |